ARRI ALEXA Mini LF Production Set (LPL): A Powerful, Versatile Large-Format Camera System

The Foto Crown Provides ARRI ALEXA Mini LF Production Set (LPL) represents a comprehensive and professional solution tailored for high-end cinematography. This production-ready bundle pairs the compact power of the ALEXA Mini LF camera with a curated collection of essential accessories, enabling seamless large-format capture in a wide range of shooting environments. Combining native 4K resolution, advanced recording capabilities, and ARRI’s signature color science, the ALEXA Mini LF delivers exceptional image quality in a compact, rugged design suitable for demanding productions.

Large-Format Sensor with Multiple Recording Options

At the core of the ALEXA Mini LF is its large-format sensor, shared with the full-sized ALEXA LF camera. This sensor supports three primary recording formats: LF Open Gate (4448 x 3096), LF 16:9 (3840 x 2160), and LF 2.39:1 anamorphic (4448 x 1856). These options offer filmmakers the flexibility to shoot in various aspect ratios depending on the needs of the project. Whether for cinematic widescreen compositions or standard UHD delivery, the Mini LF provides outstanding resolution and clarity.

Recording is available in both MXF ARRIRAW and MXF ProRes formats, stored on high-performance 1TB Codex Compact Drives. The camera supports frame rates up to 90 fps in LF 16:9 mode when shooting in ARRIRAW, delivering high-quality slow-motion capture. This makes the Mini LF suitable for both dramatic cinematic work and high frame rate commercial or VFX applications. Whether used on its own or as part of a multi-camera shoot, the Mini LF offers a flexible, scalable solution for large-format cinematography.

Robust and Compact Form Factor

The ALEXA Mini LF is a blend of the ALEXA Mini’s compact form and the ALEXA LF’s large-format imaging capabilities. The camera’s left-side media bay, dual-row rear connectors, and expanded power outputs offer streamlined access and connectivity. A total of six user-assignable buttons are available, allowing for faster and more intuitive operation on set. Additionally, the Mini LF includes 12V and 24V power outputs, as well as audio and timecode ports that have been carefully redesigned for optimized layout and functionality.

The camera features a 6-pin audio connector that eliminates conflict with the 5-pin timecode port, making audio workflows more seamless. With support for two-channel audio input and integrated compatibility with ARRI’s Look files and workflow tools, the Mini LF fits effortlessly into existing production pipelines.

MVF-2 Multi Viewfinder for Enhanced Control

Included in the Production Set is the MVF-2 Multi Viewfinder, which pairs a high-resolution OLED eyepiece with a flip-out 4″ monitor. This combination allows camera operators and assistants to monitor and control the camera simultaneously. Touchscreen functionality and an intuitive swipe interface allow for quick menu navigation, while a physical lock disables both touch and button inputs when needed to prevent accidental changes. The MVF-2 integrates seamlessly with the camera, reflecting ARRI’s focus on user-centric design.

Advanced Bottom Support Accessories

This production set includes ARRI’s latest 19mm studio baseplate system, designed for stability and cross-compatibility. The ALEXA Mini LF works with the ALEXA 35’s Balance Utility Dovetail (BUD-3), enhancing rigging options across different ARRI camera systems. Additional accessories such as the compact RAB-3 (Rear Accessory Bracket), MAP-4 (Mini Adapter Plate), and the LCH-1 (Lightweight Camera Hanger) expand the camera’s mounting versatility.

While a battery plate such as the B-Mount Power Splitting Box is required for full operation, the kit’s design allows users to tailor their power configurations to specific needs. This flexibility supports a range of shooting scenarios, from handheld and gimbal work to studio and vehicle mounts.

LPL Mount with Lens Data Support

Designed specifically for large-format sensors, the LPL (Large Positive Lock) lens mount offers a wider diameter and shorter flange depth than the original PL mount. This allows for more compact, lightweight lens designs without compromising optical performance. The ALEXA Mini LF’s LPL mount supports lens data systems including LDS-2, LDS-1, and Cooke /i, providing critical metadata for post-production and VFX work.

The included PL-to-LPL adapter ensures compatibility with a wide range of existing lenses, including Super 35 and full-frame PL lenses. This adaptability supports filmmakers looking to use legacy glass or invest in modern optics like the ARRI Signature Primes.

ARRI REVEAL Color Science and HDR Compatibility

The Mini LF incorporates ARRI’s REVEAL Color Science, which was developed in collaboration with leading cinematographers and colorists. This system provides improved contrast, dynamic range, and color response for both SDR and HDR workflows. It enables faster and more intuitive color grading, ensuring consistent results across projects and camera systems.

With a native resolution of 4.5K, 16-bit internal processing, and a base sensitivity of EI 800, the Mini LF delivers footage with rich detail, natural skin tones, and cinematic texture. Its 14+ stops of dynamic range ensure performance across a wide variety of lighting conditions, supporting emerging HDR and WCG (Wide Color Gamut) distribution formats.

Integrated ND Filters and Workflow Integration

The ALEXA Mini LF includes built-in Full Spectrum Neutral Density (FSND) filters, allowing users to quickly switch between ND 0.6, 1.2, and 1.8 without adding front-of-lens filters. This speeds up production workflows and reduces rigging complexity.

Compatibility with ALEXA Mini accessories, ARRI Look files, and established software tools ensures that crews can integrate the Mini LF into their existing setup with minimal adaptation. Whether used on its own or as part of a multi-camera shoot, the Mini LF offers a flexible, scalable solution for large-format cinematography.