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Blackmagic Design URSA Mini Pro 4.6K G2


ass=”yoast-text-mark”>yle=”font-family: Helvetica;”>Features

  • 4.6K Super 35 HDR CMOS Sensor
  • 4.6K up to 120 fps, 300 fps at 1080p
  • 15 Stops of Dynamic Range at 3200 ISO
  • USB-C Expansion Port for External Disks
  • Blackmagic RAW & ProRes 444/422 Support
  • Dual CFast 2.0 and SD Memory Card Slots
  • 12G-SDI Output, Timecode and REF Input
  • 2 XLR Audio Inputs with Phantom Power
  • 2-/4-/6-Stop ND Filter, Magnesium Body
  • Interchangeable Lens Mount

Blackmagic Design Camera ;

Blackmagic URSA Mini Pro 4.6K G2 Digital Cinema Camera brings an expanded control set and even more functionality. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording functionality. The camera’s exterior also gains a monochrome LCD panel which displays essential shooting data at a glance. Another welcome pro feature is the built-in ND (neutral density) filter wheel. The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no exposure reduction. The G2 introduces a USB-C expansion port to record directly to external drives. The default electronic EF lens mount is user-interchangeable and adjustable to ensure proper flange focal distance

Pro Features

  • New G2 Model Features
  • Updated Super 35 4.6K image sensor
  • 4608 x 2592 with 15 stops of dynamic range at 3200 ISO
  • 4.6K images at up to 120 frames per second
  • Windowed 4K DCI at up to 150 frames per second
  • Windowed 1080 HD at 300 frames per second
  • Blackmagic RAW images in both film and extended video modes
  • Raw compression levels up to 12:1
  • USB-C expansion port for recording to external drives

Built-In ND Filters

The URSA Mini Pro G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The clear, 2-, 4-, and 6-stop filters have been specifically designed to match the color science of the URSA Mini Pro G2 to maintain consistent image quality with minimal color shift.

External Control Section

Using a design inspired by classic broadcast cameras, the URSA Mini Pro G2 features a wide array of tactile physical controls with direct access to the most important camera settings. 

Blackmagic Design Camera User-Interchangeable Lens Mounts

By default, the URSA Mini Pro G2 includes an interchangeable EF mount. If you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Having an interchangeable lens mount allows the URSA Mini Pro G2 to be used in nearly any kind of workflow including documentary, ENG/EFP, and cinema. For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilized.

External LCD Status Display

The status display shows the record timecode, locked timecode, and reference timecode along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. 

 Advanced Image Processing

The URSA Mini Pro 4.6K G2 also uses Blackmagic Design Generation 4 Color Science for superior imaging that results in extremely accurate skin tones and lifelike colors that rival those of cameras costing tens of thousands of dollars more. 

Blackmagic Design Camera CFast 2.0 and SD Media Support

Two of each CFast 2.0 and SD slots are available for recording media. High-end workflows that require 4K or 4.6K raw recording and high frame rate shooting will take full advantage of the high-bandwidth CFast 2.0 cards.  Since two of each slot are available, you can keep recording, regardless of format choice.

General Features

Compact Handheld Design Despite its size, the URSA Mini Pro G2 still fits essential controls and I/O for professional workflows.

4.6K Super 35 Sensor

With an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro G2 can capture motion pictures that have greater than 4K resolution with a filmlike 15 stops of dynamic range at a very high 3200 ISO. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.

Touchscreen Control

In addition to more traditional button-driven menus and a bevy of external controls, the URSA Mini Pro G2 features a fold-out 4″ capacitive touchscreen LCD monitor.

Professional Connections

The URSA Mini G2 features multiple connections such as 12G-SDI out, HD-SDI monitoring out, two LANC inputs, balanced XLR audio with phantom power, timecode in, and reference input. On the front right side of the camera, 

Blackmagic Design Camera Quality Sound Recording

With high-quality built-in microphones and professional audio recording features, you don’t have to carry around extra sound equipment. You can quickly adjust levels using the physical knobs while monitoring the audio using the onscreen audio meters and headphones.

Multiple Power Options

. That means it’s easy to use the camera with existing professional power supplies and batteries. Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-mount batteries.

DaVinci Resolve Software Included

The full version of DaVinci Resolve is compatible with Mac and Windows and can be used for editing, color grading, media management, 

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Sensor Resolution
Effective: 11.9 Megapixel (4608 x 2592)
Sensor Size
25.34 x 14.25 mm (Super35)
INTERFACE
Audio Connectors
2 x 3-Pin XLR Mic/Line Level (+48 V Phantom Power) Output 1 x 1/8″ / 3.5 mm TRRS Headphone/Microphone Input/Output
Other I/O
1 x USB Type-C Data 1 x BNC Timecode Input 1 x BNC Reference Input 2 x 2.5 mm LANC Control Input
Video Connectors
1 x BNC (12G-SDI) Input 2 x BNC (12G-SDI) Output
INTERNAL RECORDING
Raw Recording
Raw 12-Bit • 4608 x 2592 at 23.98/24/25/29.97/30/50/59.94/60/120 fps : 4608 x 1920 at 23.98/24/25/29.97/30/50/59.94/60/120 fps : 4096 x 2304 at 23.98/24/25/29.97/30/50/59.94/60/120 fps : 3840 x 2160 at 23.98/24/25/29.97/30/50/59.94/60/120/150 fps : 3072 x 2560 at 23.98/24/25/29.97/30/59.94/60/120/150 fps : 2048 x 1152 at 23.98/24/25/29.97/30/50/59.94/60/120/150 fps : 2048 x 1080 at 23.98/24/25/29.97/30/50/59.94/60/120/150 fps : 1920 x 1080 at 23.98/24/29.97/30/50/59.94/60/300 fps
Recording Modes
ProRes 4444XQ 4:4:4 12-Bit • 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (312.5 MB/s) : 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120/240 fps (62.5 MB/s) : ProRes 422HQ 4:2:2 10-Bit • 4608 x 2592p at 23.98/24/25/29.97/30/50/59.94/60/80 fps : 4608 x 1920p at 23.98/24/25/29.97/30/60/80 fps : 4096 x 2304p at 23.98/24/25/29.97/30/50/59.94/60/80 fps : 4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60/80 fps : 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (110 MB/s) : 3072 x 2560p at 23.98/24/25/29.97/30/50/59.94/60/80/120 fps : 2048 x 1152p at 23.98/24/25/29.97/30/50/59.94/60/80/120 fps : 2048 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/80/120 fps : 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120/240 fps (27.5 MB/s)
POWER
Power Connectors
1 x 4-Pin XLR Input 1 x 12-Pin Molex Input/Output 1 x 4-Pin XLR (12 VDC) Output
CAMERA
Built-In ND Filter
Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters
Lens Communication Yes
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Variable Frame Rates Up to 300 fps
Lens Mount Canon EF

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